It’s allowed to be in the sun
It won’t be left along for too long
Can’t seem to get it all done
I’d rather figure out why I’m lost
Don’t you see the wonder in everything I do for it?
I won’t leave it in the sun
Can’t leave it out for too long
Oh, it seems to be alright that if you can’t begin to try
I’d rather call you mine side I been to
Yeah still been there too long
Yeah sound it out for too long, but it won’t be there
supported by 6 fans who also own “5a leave it in the sun”
I like this album, especially for the message that it brings that is really powerful and in line with what happened nowadays. The title and the whole album refers to the Black Lives Matter (red summer refers to the summer of 1919 where white supremacists committed a lot of homicide against black community in USA). The whole album speaks about this, with a lot of reference to historical events (e.g.: 20th August 1619 is the date when the first black slaves were deported in USA). losfastidios
supported by 4 fans who also own “5a leave it in the sun”
each track uses the fact that its digital hardcore in its own unique way each time, rarely sounding similar to the other despite generally being noisy and in your face. i find this to be especially helped by Machine Girl's usage of unique samples or their own voices, which i can barely understand but honestly it really adds to the charm and aesthetic of this release. i know this album is 7 years old at the time of writing this, but it still holds up incredibly well. Molly
The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror. Bandcamp New & Notable Jan 30, 2023
A skull-smasher from Deathcomet, this is sonic horror at its finest, submerging you in the netherworld between ambient and noise. Bandcamp New & Notable Oct 24, 2020