Let gold settle down, melt into bronze water on my tongue. Felt like stiff dewdrip from tears in my eyes.
Stood up, broke my chest and said: “I’ll breathe into it”
My tears and my breath enjoyed to be moving together, like when you pull two muscles together
Can’t say I truly did what I’d said, but I’d rather did it instead
Hold your hands out: grace to God, but he gave most of it back to me
Gettin into that…
I’ll straighten down from between my tall bones and your eyes
Locked in, set with me
Locked in, set, rest with me if you’d like
Locked in, rest with me please
Please rest with me
Please be me and not me ever again
supported by 6 fans who also own “12b grace to God”
I like this album, especially for the message that it brings that is really powerful and in line with what happened nowadays. The title and the whole album refers to the Black Lives Matter (red summer refers to the summer of 1919 where white supremacists committed a lot of homicide against black community in USA). The whole album speaks about this, with a lot of reference to historical events (e.g.: 20th August 1619 is the date when the first black slaves were deported in USA). losfastidios
supported by 4 fans who also own “12b grace to God”
each track uses the fact that its digital hardcore in its own unique way each time, rarely sounding similar to the other despite generally being noisy and in your face. i find this to be especially helped by Machine Girl's usage of unique samples or their own voices, which i can barely understand but honestly it really adds to the charm and aesthetic of this release. i know this album is 7 years old at the time of writing this, but it still holds up incredibly well. Molly
The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror. Bandcamp New & Notable Jan 30, 2023
A skull-smasher from Deathcomet, this is sonic horror at its finest, submerging you in the netherworld between ambient and noise. Bandcamp New & Notable Oct 24, 2020